My prayer to God

I really wish so much to be freed from my past "bad" experiences and regrets
for whatever i do, i always come back to them as a point of reference to make things out,
which is insane.and so much tiring.
they are weighing down my back
such a heavy burden they are, 
and prevent me to progress FAST on my way.

I wish so much to commit myself in the experiences i choose,
not to go into them on tip-toes,
but really to fully invest myself,
with all of my heart, mind and soul.
and not doubt, and so allow myself to be the best of myself when i do them.
Doubt is such a waste of time, and eater of our good potential and prevent us to realise them,
to be our whole true self.

And finally, I wish so much to be free from the bonds and burden of what others thinks of me
of what they may think, do, say, worry about
for their goals are not my goals
nor my goals will ever be theirs,
at least in this period of time or life time
then why are their worries which are not mine,
still burdening me?
why am i caring for their worries, while they are not, and this i know, not mine?
they are not justified, nor real to me.
then, why do i allow them to play this role also in my life?
they can play this role, for it is their path and choice of it,
but it is NOT mine, so why they wish to over shadow me with their own worries?
if you really wish good to your beloved ones,
aren't you suppose to give them this "credit of trust"?
to trust that they are seeking and WILL find themselves?
to trust that the way they are choosing it is for them to realise their best potential?
then, why the worry? why the choking of others?
why don't you let it be?

I wish to be free from them
if i am the arrow of the bow,
then the bow should let go...
how to achieve this peace of mind?

I wish to be free from all fears,
and just be sure, and happy and finally eternally still to what I AM.

Where is Daddy? Papaoutai

Love this song,
have you noticed?
we like a song when it is associated with an experience

this one was being played on and on, during the Shakti week end ; ) lol

Papaoutai

Dites-moi d'où il vient
Enfin je saurais où je vais
Maman dit que lorsqu'on cherche bien
On finit toujours par trouver
Elle dit qu'il n'est jamais très loin
Qu'il part très souvent travailler
Maman dit travailler c'est bien
Bien mieux qu'être mal accompagné
Pas vrai?
Où est ton papa?
Dis moi où est ton papa!
Sans même devoir lui parler,
Il sait ce qui ne va pas.
Hein sacré papa!
Dis moi où es-tu caché!
Ça doit
Faire au moins mille fois que j'ai
Compté mes doigts
Hé!
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Ou t'es, ou t'es où papa, où t'es?
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Ou t'es, ou t'es où papa, où t'es?
Quoi, qu'on y croit ou pas
Y aura bien un jour où on n'y croira plus
Un jour où l'autre on sera tous papa
Et d'un jour à l'autre on aura disparu
Serons-nous détestables?
Serons-nous admirables?
Des géniteurs ou des génies?
Dites nous qui donne
Naissance aux irresponsables
Ah dites nous qui, tient,
Tout le monde sait
Comment on fait des bébés
Mais personne sait
Comment on fait des papas
Monsieur je-sais-tout
en aurait hérité, c'est ça.
Faut l'sucer d'son pouce ou quoi?
Dites nous où c'est caché,
Ça doit...
Faire au moins mille fois qu'on a
bouffé nos doigts
Hé!
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Ou t'es, ou t'es où papa, où t'es?
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Ou t'es, ou t'es où papa, où t'es?
Où est ton papa?
Dis moi où est ton papa!
Sans même devoir lui parler,
Il sait ce qui ne va pas.
Hein sacré papa!
Dis moi où es-tu caché!
Ça doit...
Faire au moins mille fois que j'ai
Compté mes doigts
Hé!
Où est ton papa?
Dis moi où est ton papa!
Sans même devoir lui parler,
Il sait ce qui ne va pas.
Hein sacré papa!
Dis moi où es-tu caché!
Ça doit...
Faire au moins mille fois que j'ai
Compté mes doigts
Hé!
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Ou t'es, ou t'es où papa, où t'es?
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Où t'es? Papa, où t'es?
Ou t'es, ou t'es où papa, où t'es?

Submitter's comment:

I love this song, it's a true written story about a boy who wants to find his father.

English

Papa, where are you?

Versions: #1#2

Tell me where he came from
Then I'll know where to go
Mama always says when we look really hard
We'll find what we've lost
She says he is never very far away
He often heads off to work
Mama says working is much
Better than being in bad company
Not true?
Where is your Papa?
Tell me, where is your Papa?
Without you having to tell him,
He knows what's hurting you.
Hey damn Papa,
Tell me where you're hiding!
I must have counted at least
A thousand times, to ten
Hé!
(alluding to hide-and-seek game)
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you, where are you, Papa, where are you?
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you, where are you, Papa, where are you?
Even, whether we believe it or not
There'll be a day we'll believe it no more
One day or another, we'll all be the Papa
And from one day to another, we'll also have vanished.
Will we be hated?
Will we be loved?
Forefathers or geniuses
Tell us...who gives birth
To irresponsible men?!
Come on, tell us who does?
Everyone knows
How babies are made
But no one knows
How fathers are made
Mister Know-it-All,
It's in our blood, that's it.
Should I suck this out of my thumb or what?
Tell me where I can find the answer.
It must be at least a thousand times that
I've sucked my fingers dry.
Hey!
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you, where are you, Papa, where are you?
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you, where are you, Papa, where are you?
Where is your Papa?
Tell me, where is your Papa?
Without you having to tell him,
He knows what's hurting you.
Hey damn Papa,
Tell me where you're hiding!
I must have counted at least
A thousand times, to ten
Hé!
Where is your Papa?
Tell me, where is your Papa?
Without you having to tell him,
He knows what's hurting you.
Hey damn Papa,
Tell me where you're hiding!
I must have counted at least
A thousand times, to ten
Hé!
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you, where are you, Papa, where are you?
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you? Papa, where are you?
Where are you, where are you, Papa, where are you?


source : http://lyricstranslate.com/en/papaoutai-papa-where-are-you.html

Soul Purpose

Very good extract :

Commentary by Pir-o-Murshid Inayat Khan:

 

One may ask, 'What is the best way for a person to understand his life's purpose?'

If one follows the bent of one's own mind, if one follows the track to which one is attracted, if one follows one's own inclination, which is not satisfied with anything else, one feels, 

'There is something waiting for me (which one does not know at the time), which will bring me satisfaction.' 

Besides, if one is intuitive and mystical, it is easier still, because then one is continually told what is the purpose of one's life. For nature has such a perfection of wisdom. 

One sees that the insects are given the sense to make their little houses and to protect themselves and make a store of their food. The bees, who have the gift of making honey, are taught how to make honey.

So nature has taught every soul to seek its purpose. 
It has made every soul for that purpose, and it is continually calling that soul to see that purpose. 
If the soul does not hear the call and sleeps, it is not the fault of nature, which is continually calling. 
Therefore, if I were to say in a few words, how to find one's purpose, I would say: by waking from sleep.

   http://wahiduddin.net/mv2/I/I_IV_1.htm


hmm, so far so good, 
this extract brings already a direction, 
it points to the first step 
that most people do not realise 
by even looking at how one could 
like creation is taught by nature
be taught as well 

this is by the way 
what "ummi" means
when refering to the prophet 

it does not mean illiterate
which is a wordly word, meaning too narrow 
it means that it is not taught by books
but by the divine inspiration
as the bee is taught by divine inspiration
how to built its hive.


so call is always there
it all depends if we WAKE up to it or not.

this is the part where no one tells how to wake up.

except for lately, 
when i have been told, 

that when you close eyes
you see things which comes from your "dead" mind
what you see are residues of your day/life
which keeps circling in you.

hence, "dead"
hence it is said that sleep is the sister of death/small death

now, 
there are TRUE dreams, 
in the sense that 
in our TRUE self we NEVER sleep

hence the ayah ul kursi :
The Evidence of the Throne (translated) :

2.255: Allah is He besides Whom there is no god, the Ever living, the Self-subsisting by Whom all subsist; slumber does not overtake Him nor sleep; whatever is in the heavens and whatever is in the earth is His; who is he that can intercede with Him but by His permission? He knows what is before them and what is behind them, and they cannot comprehend anything out of His knowledge except what He pleases, His knowledge extends over the heavens and the earth, and the preservation of them both tires Him not, and He is the Most High, the Great.

http://www.duas.org/Misc/aayat_alkursi.html

a True Self 
never sleep 
no slumber , no tiredness nor sleep

this is our true permanent Self which is also called Archetype by Allah 
near the Throne of Allah, the Kursi (though i have to double check the word kursi and Throne)
but grossly speaking this is the idea

when we are IN IT 
then we are never tired
nor do we sleep
and we have nothing to do anylonger with this world

hence when the prophet said, 
i never sleep, my heart is always awake
The one that has reached enlightenement, 
meaning experiencing this True Self of his
is never asleep

and the dreams exist no more
he has no more dreams.

Though, i know that true dreams and visions exist, 
as the prophet used to have them
so ... ?

may be the world is not dream but Life experienced be it in an outer state of "sleep" of the body or not.
so the true dreams
are when the Ever-present Light of God is been showered
and we LET it pierce and enter into us 
and let it go deep down in our subconsciousness 

so that nothing in a way is given
but only revealed

like when you lit up a dark room
light does not bring with it a new room with accessoires
but they were already there 
except that one could not see till light came

yet, another questions come, 
what is this "transformative energy" then?
so it means that light DOES transform our room by bringing new accessoires?

 

The two seas

In a movie,
the woman was only wishing to live in the tomorrow
the man was only living in the past

but the tomorrow said to the past
that it never proposed
for them to be married
united
in the present

in the quran,
“He has let loose the two seas (the salt water and the sweet) meeting together. Between them is a barrier which none of them can transgress” [ar-Rahmaan 55:19-20]

i always wondered at the two seas
today i felt the sweet one is the one turned towards the future
it is always sweet dream in the planning ahead
and the bitter is the past one cannot let go, for it is filled with regrets

yet, somehow the next translation as it is translated makes no sense
one has to find true meaning of the arabic word to get it

for the next verse gives the hint :

From both of them emerge pearl and coral.

That has to be the consequences of the marriage/melting of both seas 
it creates jewels in the present.
 

AGNES BALTSA - Aspri méra ke ya mas

: ) Very pretty music and song

Michael Vamvakousis 5 months ago

For anyone that likes to know the meaning of the lyrics 

"I will water with my teardrops Those bitter times, those sad summers, 

That I had to spend with you. 

With lifeless doves (hopes) My skies each dawn were filled. 

I will return, sad Virgin Mary, Farewell, weep not. 

Do not let your grieving heart get you down.

 Just say, "Never mind, A brighter day will dawn for us". 

Apollonios Pergaios

4 months ago (edited)

PRECISE TRANSLATION:
I will water time with a salty teardrop of mine
for I've learned to spend close to you, bitter summers.
With lifeless doves the dawn has filled the sky
I will return, sad Virgin,
Farewell, do not cry your heartache.
Learn, to not hang a talisman, to say "Never mind",
The white day, will also come for us.

GREETINGS FROM HELLAS :)

Rejoice

when you rejoice
and act in this joy
then all of the world is rejoiced with you
it comes to you
drawn like a magnet
as if it has been hit,
like in a billiard,

just hit others ball with one
and see how the others get fused
with energy and start moving too.

Giving

hmm,
following the preceding post.

this is WHY the people of old
used to give their own daughters to marriage to their enemy
initially i mean,
two enemies countries would give their very own daughter to marry to their
most disliked partner

well, initially,
it is always pure, it is always later that rules are used for selfish purpose
and corrupted.


For when you feed your ego
it grows
and your ego likes not the other
and his rules
but to integrate him in you
you have to give
Gifts are made to "increase love" between two parties
the love spoken of, is of course the one on the energetic level

when we give to someone something we cherish most
because it is so close to us, that the giving of it, provoke a feeling of lack
then it is the best test
to show you that you have had assimilated this object in you
so much that you are identifying yourself with it.

Giving it to another,
even more your children in wedlock,
is such a generous donation of yourself
for in a way you make grow something,
all this while
and when it blossoms
you give it...

it seems unfair,
like the flower it took them so long to open and bloom
and finally they lose their petals within two days...

i guess that it is just what one calls as a cycle.
part of the ever-renewing cycle.

well, initially the worth of giving was this i feel,
later, we are not giving,
most of people, especially in asian countries,
are, even if they are good will, trading their sons and daughters
in marriages
for they are always competing and considering "what can i gain"
both parties do so.
more or less admitted
but in truth it is so.

a philosopher had said,
if i love someone, do i love her because i loved her or her qualities?

by then, i wondered but what is more to someone that his qualities?
for we do see qualities in people and then we like them or not.
but there is more to qualities,
there is that which is the Source of those qualities

but most people, seek to reap qualities of others
and use them as trophies, but not to see something Higher in the other.

if we are all vessels of The One, should we not,
at some point, got ignited in us,this sense of True Love?

Thank you

The new thing, or rather the connecting dots i learned with sahaj yoga, 
is about the TRUE sense of SELF.
self realisation
or True self
or Being One in spirit

were words which were foreign to me
totally foreign
with no link whatsoever with God

for God i had "conceptualised it 
to an all-pervading power in and out."

But God is NOT conceptualised even to these true words
He IS this all pervading power!
and the ALL-pervading power is precisely ON THE SPOT the life we are living.

hence the notion of extending the personal limits

hence the drop that joins the ocean 

hence the witnessing of the oneness THROUGH the collectivity
for in sahaj yoga i learned the throat chakra is the level at which the collectivity is represented
meaning OUR relationship to it
the quality of our reaction to it

are we melting in it 

or resisting and reacting against it (ego)

of course it is not about doing the bad that the collectivity does at the manifestation level
it is about the energy level, 
the level of the spirit

at which any collectivity good or bad is related energy-wise

in the knowledge of the True Identity of the Spirit

that is great.

the second thing, 
i felt more strongly today 
is why we give?

when we hoard up things, or collect them
it is to strengthen our sense of self
i am - i am 

the ego is not bad in the sense that it is an i am 

it is bad because its individual "i am"-ness, it negates the GREATNESS of its ONE and non-divided identity I AM with the ocean of the True self, where all egos, all i-am are one.

well, i feel it so.

the more we act for the i am, 
this limited identity
the more we witness that we do not need the other; 
we do not want to share
nor want to experience new horizons
and from these "i am borders", we make limits in our expansion and growth
in connecting with others

these in turns strengthen even more our sense of reality of the "i am"

of course the "i am" is not permanent, nor can it sustain itself alone
everything in nature has to take part into a cycle
without which no renewal nor growth is possible.

Law of nature are what man has forgotten 
and is scared of 

in the notions of "letting go" or of "giving"

Mankind is scare of jumping into the Ocean,

he fears that he will get drown...

: ) well in a way it is true, his limited sense of self will be drown,

like pharon in the sea, such a famous history and metaphor.

for the pharon used to represent the ego, the false master

making slaves of its people which wish to live life to the fullest.

the more we give, 
the more we give ourselves to chance to erase the limits of the "i am"

because when we collect for ourselves we build/strengthen with mortar our house of brick
but when we give... then we are puzzled!

so we say what it serves me to give? i give, and what i see is only loss for me quantity-wise. 

i only see lack, what i should have is no more
etc. then, the sense of stinginess comes in.

but if we get self realisation 

we know then, we are connected to the whole

this is in its simplest form a connection to the whole

now when we give, we know we are making one more step with each giving
towards a NEW and GREATER and FAR more expandable identity which is the TRUE SELF
hence the importance of collectivity!

without collectivity you canNOT see yourself, your limits of your ego 
for the other ENABLES you to see yourself AS in a mirror
and then CORRECT yourself
the correction is not of self beating, lol
it is of EXPANDING ourselves 
as air does in room
as light does in the space.

the all-pervading light of sun does
it is how i call sun rays at times
for i am always astonished to see them lightening the narrowest corner in a building
and am always stunned at the sun perfect RELIABILITY to give light
even to "forgotten corners"

well, when the sun does its job, it does it in all fairness!

the sun misses not even a corner saying, "ok let this place, no use to give light to it, 
and honestly who cares?"
no, when it gives light, it gives it to all places. even those which seem "purposeless".

I feel that is the real beauty of a person, 
not to deem another "bundle of energy" (be it a person or a thing) to be useless, 
but when one sees it, just honor it with our own light.

and by doing so, what we do, 
we give to ourselves, to our identity a new expanding sense of I AM.

Actually by giving, we are just un-covering, dis-covering, who we really are.

I dedicate this article to all the brothers

who have served their sisters 
during this week end, 

and have undeniably gained 
a first hand experienced 
on what it is to give.

Remember, during workshop 
you work on "other"'s energy
and you well know by doing so

you are IN TRUTH working in/on YOURSELF TOO

cleaning the other's blockage

is cleaning your OWN blockage too

you give yourself a boost by energising the other....

so beautiful, isn't it?

here we have learned the true meaning of Giving, 
BECAUSE we have learned the TRUE meaning of the TRUE SELF
that we are ALL connected by the SAME and ONE and ONLY Divine Energy
which makes that ALL and ANY kind of Goodness you do to others, 
then you do it AUTOMATICALLY to yourself.

Therefore, 

it is HOW when you give to others

in your daily routine

you give ALSO to yourself.

We are indeed blessed in God.

 

This girl is on fire!

Very great song i discovered this week end,
a week end organised by brothers for sisters,

more to be shared about humanity in male-female relationship,

for the now, part of the song list which has been specially dedicated
by the boys for the girls on that week end for the women :

Recognising

why didn't you tell me earlier from the start? i was hoping you would remember me before i tell you about it... Hoping that you would recognise me...

Recognising

why didn't you tell me earlier from the start? i was hoping you would remember me before i tell you about it... Hoping that you would recognise me...

The Prayer

From my inner most
heart core center
From the place where all starts
which determines all
which puts everything in motion
and where everything comes to an end too

From the place that has been created
to experience the brightest of light
The place from which all prophets carried
and refined even more this light

From the place
where high or low exist not
where male and female exist not
where time and place exist not

The Place where there has been ALWAYS this Light
but only discovering itself to higher degrees of refinement

This Place IS MY RIGHT
and I STAND ON IT

and DARE ANYONE
under estimate its value
because of the appearances
they will never succeed.

For if i have been created
for other than
letting this Light to BE
then it is a LIE.

From the inner most core of The Unique Heart
to the outskirt of it
from the bones to the veins
and all that inbetween
from the blood to the skin
and all that inbetween

From me to you
and all those inbetween
From me to my family
and all those inbetween
Family, Friends,
Gods and Angels
From my place to all places
all time

which have ever existed
and will exist EVER

I have not created in vain, nor for play.

But to WITNESS this ONE AND UNIQUE LIGHT
that has always been, IS, and will ever be.

And Nothing will dilute this experience
nor limit it
nor stain it
nor cover it
nor hide it
nor make me forget
that which i know and know not.

and if there has been any failure,
regrets, forgetfulness or lack of any kind;
then, there are no more
because of This Authority
Which STANDS in itself as ONE.

LA ILAHA ILLALLAH Muhammad Rassoul Allah.

in Prayer,
the left hand of desire (HU/THAT WHICH IS) fusions with the right hand of action (KUN/BE)
they meet in the center
Be and it is.
KUN FAYAH KUN

Ash Shaheed
The Witness
witnesses
that which has no station
nor is meant to have
except to shine everyday in a new Glory
(of knowing Itself)
Ameen.

Spirit and Life

the advantage of the spirit is
that it divides not
it is not secluded or limited to a persona
and it is wide and generous

the disadvantage of it
is that it exist not on the human level
therefore
it is improbable to rest in a place with it

so seeking for a solution
the one that is most practical on the human level
and yet fulfilling on the spiritual one
is indeed the healing aspect of this gap

to heal it within when one feels it.
it is then practically and spiritually, both fulfilling.

Promise to yourself

Always trust your FIRST impression
this is the right intuition

after it is only reasoning, thoughts.

Turmoil and right reaction

Mind being in turmoil - angry or sad,

it is a great opportunity to find the immortal within

meaning,

raise spine, raise energy and then feel it/vibes.
then LOCATE the feeling of unease in body as energy and WATCH it.

this is the meaning of catching the mind while it is disturbed,
and so, of FINDING the immortal witness.

i used to first calm the mind,
was aiming at calming the pestering thoughts of worries, stress, argumentation, sadness etc.
meaning, "ok don't worry, for this is still ok under such and such circumstances"
then meditate, to watch the energy.
but that was wasting the opportunity to free myself from the mind precisely,
for i was relying on it, or giving it back power to control.


so catch the mind while it is disturbed, 
AS IT IS ON THE FIRST HIT (not by lessening the amount of what you need to relinquish, 
no, relinquish it ALL! as it IS.
For we use reasons, which on the spot are true, but no eternal wagon to travel in, 
because we WANT TO SAVE part of our "hopes" which are actually part of our ego.
why do we feel saving something? as if we were poor, if in truth we are ALL rich within?
so it means it is the ego whining not your true self.the one which is all rich does not seek to save itself from destruction. that which is eternal does not worry to be saved. FOR IT IS ALREADY.was always and will always be.)

and FIND the immortal witness.


ps : one can always find reasons to calm the mind, 
true reasons, but with passing of time, 
the reasons themselves will collapse and 
be no more true.
for energy keep ascending in spiral 
so either you progress or you regress
so you never stay safe on same idea/thoughts
this is here the illusion
thoughts are fix, they are the disillusion that you are safe in them, 
but no, you have to progress or regress, 
so choose your vehicle :
not thoughts (fix)
but Divine power (swimming boat)

Day, Month, Year

To my soul

http://www.youtube.com/watch?v=XxPLM2gh0Cc

Crazy Little thing called Love

I don't know how much longer
That i have to resist everything
I've been hiding all the truth inside my heart
Everytime we meet
everytime you turn to face me
that I pretend to be still
Do you know how much i have to force myself?

CHORUS:
Can you hear my heart?
It's telling you loving you?
But i can't open my heart for anyone to know

Can you hear that?
My heart ...
Is always waiting there for you
Can only hope you will know it...someday.


Though I know love you
I hope you feel it too
But deep inside isn't brave enough
Everytime we meet
everytime you turn to face me
that I pretend to be still
Do you know how much i have to force myself?

REPEAT CHORUS

INSTRUMENTAL

CHORUS:
Can you hear my heart?
It's telling you loving you?
But i can't open my heart for anyone to know

Can you hear that?
My heart ...
It's always waiting there for you to open it
Can only hope you will know it...
That I'm the one here to love you
Please I hope you will know...Someday


https://www.youtube.com/watch?v=3SnlSkUgpOc

Ya Rabb, Ya Bareo - The Inside God, The Evolver

If i CAN see the color of the fruits,
it is because the Grace of seeing is within me,
the Gift, the Favor of this action is Within me,
for my eyes to see.

The Very light of God is within,
it is called Rabb,
The Personal God.
the In-Light of God,


Ya Bareo,
The Evolver,
The One Who makes color of fruits evolve
from green their mature to red

Imagine,
Ar Raqeeb, The Keen Observer
is the Same Light within,
that sees us going through Life,
maturing,
but all the way long,
we knew it not.

From one Root

These are called Portulaca

These tiny flowers bloom from one ROOT,
but they all have different colors :

Amazing, isn't it? : )

We are all born from the same root,
and yet fight a lot, isn't it?

strangers from different could not have done better
as humanity does nowadays.

born from the same root,
but have not realised how beautiful we are.
this is why this is the real ignorance,
whose blindless leads to division and fight.

Time travel

The Girl Who Leapt Through Time (2006) English

• 
  xXKunokuXx 2 days ago

  I've actually grown to believe in time-travelers. Sometimes I wonder If I died somehow and someone came back and saved me lmao xDDD

  · 3
    
• April Hicks 1 week ago
  The aunt said that her life never returned... But she also said that the main character isn't like her at all, that she would look for him if he didn't come back- also... He said that HE would WAIT for HER.
  
  
  
  
  Fascinating this time travelling about the different time zone/generations(?!) in the SAME time then! like the Aunt is meeting her niece/the young girl who is she when she was in the past. But then, it would be the Aunt and the girl are the same person.

Heartfelt thanks to Time travelers, who are the most loving people
to save us before we die, and thus are still alive.
It is just that others ran short of time and could not see what they did,

but some knows for they believed, even though they time leapt not ;)

kiss ;)

..............

A great explanation given by a fan,
though i do not feel happy with the Aunt part,

i love the soothing explanation : meaning that the ending make COMPLETE sense ! ;)

You got to do some maths and be rational with that movie as much as being TOTAL open-minded lol!

................

re: The Girl Who Leapt Through Time... *spoilers* Explain please?

Just finished watching the Girl Who Leapt Through Time and loved it. Like a lot of people, I immediately went through a ton of Google searches to see how everyone explained the ending… and I really couldn't find one that made sense! So I'm offering my own. Feel free to tear it apart. But FIRST let's debunk a couple theories:

Theory #1: Makoto's aunt is actually the older version of Makoto. Ok, this is wrong on so many levels. 1) Foremost, the aunt is identified as Kazuko Yoshihara (ok, I confess, I'm relying on wikipedia here), and she is actually the main character of her own time-travel adventures in the original novel series. The entire movie is actually a spin-off from the original plot:
http://en.wikipedia.org/wiki/Toki_o_Kakeru_Sh%C5%8Djo
2) From a character development point of view, her aunt specifically tells her, "But Makoto, you're different, you're nothing like me, are you?" 3) Makoto has never shown any interest or talent in art 4) Why would she need to go back in time to restore a painting, and why interact with "herself" pretending to be her own aunt? 5) In this universe, when you go back in time, you "become" your old self you don't interact with yourself. In all of Makoto's time jumps, she never "runs" into versions of herself or even sees herself (ala Back to the Future), she actually becomes herself, retaining all of the memories from her future (ala Butterfly Effect, Groundhog Day). If Makoto went back in time to restore the painting, she would find herself in the younger version of her body. 6) How would she "fool" Makoto's mother into thinking they were sisters? (Makoto's mother gives Makoto peaches to give to her aunt and is concerned that she is still unmarried - so either Makoto's mom is "in on the time-travel secret" or Makoto went back in time and lived an entire life pretending to be her mother's sister or Makoto's mother's memory was altered. None of these is plausible, so it makes much more sense that Makot's aunt is really, actually, just her aunt and nothing more)

Theory #2: Chiaki is a con artist who tricks adolescent women with his charms to take up painting restoration as their profession in hopes that his victims will preserve the painting until his timeline. WTF? This is a pretty twisted interpretation. My objections are 1) That's not what happened in the original series (see link above) 2) The aunt is already restoring the painting, why not get her to "preserve" it as well? Why bring in a worthless high school kid to do a job, when you already have a seasoned curator with access and all of the credentials to make sure the painting survives? And if he wants redundancy in the plan, why not manipulate another curator, or security guard, or someone with any actual talent? 3) Giving a girl the ability to travel through time is a piss-poor way of manipulating her into preserving a painting. Chiaki has the power of time travel, why can't he do it himself? And if not himself, why not FIRST manipulate Makoto into preserving the painting, and THEN give her the power of time travel to actually accomplish that goal? 4) If you were seducing a girl to get her to do something, and you wanted a redundancy plan "just in case", would you really go about trying to seduce HER NEICE to do the same job? 5) If all you cared about was a painting, why wouldn't you "stick" around until it was finished, or at least "drop in" from time to time to make sure the aunt hadn't given up? It doesn't make sense for Chiaki to manipulate the aunt when she was in high school, and then never contact her again, and just "hope" that the seeds he planted would result in her going to school for art, devoting her life into art restoration, and then actually devoting years to restoring the very specific painting that he wanted in the first place?

None of these make sense. I'm not saying that the movie is perfect, it definitely could have been done better to make more sense, but technically, I think all the plot-holes can be explained away. So here is my own interpretation. I'm definitely making up a lot of stuff, but I think it actually does make sense and fits in with the "spirit" of the movie…

Chiaki is just a kid from the future, growing up during a time of desolation and hopelessness. Somehow, he hears of a beautiful and magical painting that was created in the past during a similarly desolate and hopeless time, but the painting has been lost. So, he believes that if only he could see that painting for himself, it would bring him the hope and inspiration he needs to live his life in that desolate hopeless time. So he uses the time-walnut to "time-jump" and he probably makes a lot of mistakes along the way, until he finally finds the time period he is looking for, but he only has one last "jump". He does have an extra time-walnut, but he probably decides to use it only in an emergency. When he finally gets to the museum, the painting is, unfortunately, being restored. The jumps are difficult to judge (especially jumping to a time period outside of his lifetime and experience), and it took almost the entire walnut just to get to this time period, so he decides to just "live" in this time, until the painting is restored, rather than wasting his "jumps" trying to find the painting. But while he is living in this time, he makes friends with Kosuke and falls in love with Makoto. All the while, however, he is checking the museum every day to see whether the painting is finished (every time Makoto goes to the museum, you see this guy in the background looking at the exhibit… and he vaguely resembles Chiaki). He probably would have "frozen" time and snuck into the museum to see the painting half-restored, except he didn't know Makoto's aunt was restoring the painting on the premises, and just assumed it was being restored at some unknown place. Better to just wait for the painting, and plus, the "waiting" ended up being pretty fun, in of itself.

Ok, so then the whole movie takes place from here. In explaining the ending, I'll refer to these important moments in the timeline:

A) Makoto falls on the time-walnut in the science room and gets 90+ time jumps
B) Makoto uses her "#02" time jump (next to last time jump) to setup Kosuke with the shy girl by arranging the wrestling guys to push Kosuke into the shy girl. This results in Kosuke borrowing Makoto's bike and he sends Makoto a text.
C) Makoto races to the train tracks to prevent the impending disaster, and gets to the train crossing with one last jump, only to see the train pass harmlessly by without any incident.
D) Makoto walks away from the tracks and talks to Chiaki on the phone, when Chiaki figures out Makoto is time leaping and asks her.
E) Makoto freaks out and uses her "#01" time jump to negate the conversation.
F) Kosuke & girl crashes into the train, and Makoto does not have any more time jumps to prevent the accident.

As Makoto is running after Kosuke, she trips and rolls downhill screaming (you can see all the cuts and bruises that she sustains as she is screaming for Kosuke), when all of a sudden, she opens her eyes and there are NO cuts and bruises on her face, everything is frozen, and Chiaki explains that he used his last time jump to prevent the incident. At this point, Makoto believes that Chiaki rolled back time to right before point F). But really, Chiaki had used his time jump to go right after point B) above. Presumably, after Kosuke sent the text to Makoto, Chiaki steals Makoto's bike before Kosuke can get to it. Then Chiaki rides Makoto's bike to intercept Makoto at point C). At this point, Chiaki needs to come clean with Makoto, because 1) she needs to know 2) he loves her 3) Makoto will probably figure it out anyways. However, in doing so, he violates the "Time Law", whose punishment is ceasing to exist. While time is frozen, he lingers long enough to bare his true self to Makoto, before resuming time and fading into oblivion.

Now, because Chiaki had rolled back time to point B) and not point F), the conversation between Makoto and Chiaki never occurred (though curiously, she remembers it occurring) and Makoto never used her last time-jump. When she realizes this, she uses her last time jump, to "Super-Jump" all the way back to the beginning of the movie at point A). She confronts Chiaki with the truth and time-walnut. She tells Chiaki that she can't time-jump anymore (having used her last time-jump to get her here). HOWEVER, she gives Chiaki a used-up time-walnut! This means that Chiaki must actually still have 90+ time jumps. She never used any of them because she time-jumped back to a moment before she had used any time-jumps! The movie has already established that it is possible to "take back" your time jumps by jumping to a time period before you used your time jumps. You could argue that you need someone else to time-jump you, and you can't "time-jump yourself" to get your time-jumps back, but the movie doesn't definitively support one argument over the other since it only tracked Makoto's time jump at 90, 50, and 1. Anyways, even though Makoto "knows" about time-jumps, in this new reality, Chiaki is "safe" from the law, because he technically never "told" her about it yet. You can't fault a guy for doing something he hasn't done yet, right? Now at the end of the movie, I think that Chiaki then realizes that Makoto still has 90+ time jumps, so he's telling her that he's waiting for her to jump into his time.

Ok, I know my explanation isn't perfect, but I think it makes more sense then Theory #1 and Theory #2. Here's my lame rationalizing to several possible objections….

Chiaki waited months for the painting, why didn't he wait a couple more days to see it? Chiaki never meant to stay more than a day and realized how precarious it was to only have one more time-jump. Plus, under Makoto's assurances, the second he returned, he would see it. But most importantly, I think the painting was no longer his inspiration to live. That inspiration was now Makoto, herself.

Why didn't she just text back/call back, "Careful, Kosuke, my brake's broken." Maybe she did (off camera) and got no response, so was actually worried that Kosuke didn't receive the message (which he didn't).

Why was Chiaki in the science room after he just said he wasn't interested in helping Makoto with her chores? Chiaki was being a creepy stalker, and was secretly spying on Makoto.

If you know you're going to crash in the train on a bike without brakes, why not just jump off the bike? People don't think properly in the heat of the moment.

Chiaki had 1 last time jump and a full time-walnut. Why didn't he just "charge" himself earlier? Every time-jump is precious, so he was waiting to use his last time jump before recharging, because maybe he would "lose" that time jump.


OK, curious what people think. Don't hold back, haha. Begin criticism….


PS
Ok, finally, I'd like to ask my own question. Is the painting real and is it in the Tokyo Museum of Art? One of these days, I'm planning a trip to Studio Ghlibli in Tokyo, and if the painting is really in the Tokyo Museum of Art, I'd now like to see that too.

source : http://www.neoseeker.com/forums/42/t1611144-girl-who-leapt-through-time-spoilers-explain-please/

We are seeing Life through the filter of our OWN consciousnesses

Hey, look,

we are WORLDS whirling
individually it is all what we do
we whirl , like a whirlpool
BUT we don't know that we are the world that we witness

it HAPPENS that two worlds are at SOME point in "space and time"
crossing each others' path

like two people/worlds/whirpool having ONE common atom in time/space
it is then HOW we see ONE thing the same way
because we have been gathered together on the SAME level of perception

this why for instance if two people meet a third one which is MEAN
he is mean because they are both taping , each into their OWN subconsciousness on the same LOW level, (not exactly same, as INTENSITY of rejection may vary)
but for sure we would both tap into the same BOX (dislike instead of liking)

this is HOW we then CONCLUDE that life is real
for we both have somehow SAME perception

but it is not REALITY
it is just a CHOICE that we both made then its consequence is that we see SAME thing
but in NO way it is the reality

so if this third person also feels himself to be mean
he is ALSO taping in the same box of negativity
then, the three of us are stuck into this same reality / corruption of attention

but if on the spot i SEE it
and decide to realise it is not true but only seeing the Reality through the filter of my chosen low level consciousness
and that this third person too is deluded into believing the scenario of "being mean"
then, it JUST reflects the "identity" he has chosen for himself
the one he believes himself to be.


this very guy told me
in the CAVE, subconsciousness
you will due to your fear/ignorance think to see snake
but if there was light , a torch, you would see it just to be a rope

in that case, it reminded me the story of musa alaihi salam (as)
when he defeated the magician in the pharaoh court
who were making people believe that their ropes where actually snakes
while when musa (as) was ordered by His God to throw his staff,
which is actually the symbol of the Kundalini
the wooden stick BECAME the Snake which ate the other fake snakes
who ended up becoming ropes.

there the magicians realised the Truth
hehe, what Truth, i had always wondered when i used to read this passage
what could they have possibly SEEN?

they saw that they were playing with the veils in people's consciousness
making them, the blind ones, see not things "as they really are"
but playing on their blindness of their cave
and ignorance
to make them thus believe that they had snakes, while it was only ropes
so themselves they knew they have ropes
but they make people believe it was snakes
because i feel they were a degree superior on them
and had thus the ability to trick people by the little power they had to play on veils

but Moses he had the POWER of GOD
that KUNDALINI awakened so much that he made a WOODEN stick EAT their own ropes
and that action, the one that BROKE their own self-created realities
assured them that it was TRUE.

for it was ABOVE their ABILITY to trick
actually IT had the POWER to SEE and END their trick
AN AUTONOMOUS and WORKING power

that made them AFRAID
and they bowed, spontaneously, to God.

it is how i feel
FINALLY! the TRUTH
how i detested in the past to read those stories with blind eyes
i could never understand the "obvious" lesson of them before the self-realisation.

so people are just living into their own self created worlds
with more or less high or low level of consciousnesses/worlds which are whirling/living

when two worlds meets
they meet with their own intensity, level
so either it is a BLENDING that is love
or it is a CLASH and that is really FIERY, GOSH

ok a blending even in love is too sad, if the blending is a low level one
and to be maintain at that level without the desire to soar
but still it is a blending but ONLY for that time and place
TILL the rate of evolution/whirling changes
so guess if one guy evolves more rapidly or in a different direction than his lover
oh guess the gap that is profiling itself on the horizon?!
Gosh too much clash in the story of Life

this is WHY so better to come to the center of that whirlpool or tornado
and then meet all possible worlds and realities you wish to taste or experience.
less hurtful and more enjoyable.

and also, this is how you can guess whether you have managed or not to
go out of your false association with the "outside" characteristic.

for if you experience a dislike, pain or hurt THEN THEN THEN you know
you are prying into your own subconsciousness or consciousness?
and this is its state
so better leave it off and go to higher states of consciousness or go to the center?
so we have two options?

second, i worry on one thing, the subconsciousness is SOOOOO VAST
if we had soooo many lives, then sooooo many billions of years of purification are to be done!
impossible to do that at a slow rate of a 2 hour meditation per day.

hmmm, what is then enlightenment? how could people possibly get it?
it means they got ALL of their subconsciousness purified?

We have all our personal yet Unique and Universal God within (Unity for the multiplicity of manifestations)
and The God within is called "the Rabb"

Hence,

Rabbil 'alamin
The God of the WORLDS.


Al Hamdu lil Allahi Rabbil Alamin
All Praise be to the Rabb of the Worlds

We are seeing Life through the filter of our OWN consciousnesses
Hence, there is NO ONE to blame, there is no other
for it is only the state of our own progress of knowing who we are, which is BEING REFLECTED OUTSIDE AND WITNESSED BY US.

Ave Maria : Fly and catch those clouds

From the movie "200 Pounds Beauty".

I had already heard the song, i feel
but today it was a revelation

so beautiful lyrics as well.
The movie is as beautiful as the song and its lyrics.

The lady had a beautiful heart but was too fat , thus despite her beautiful voice she was just lending her voice to beautiful "singers".

After her plastic surgery, what was odd, is that she had the beauty but knew no more how to sing beautifully, i.e. with the heart, till this song started and made her remember to let go of her physical fixation.

I was really enjoying the lyrics,

Another and better version that i LIKED :

here we go again
make it hot baby
o don't be afraid
High in the sky
the sun shines the way

O don't stop Baby

maria ave maria
Fly and catch those clouds

Maria ave maria
strong against violent waves
maria ave maria
and catch those clouds
strong against violent waves
(from the movie)


for it is the very first time i understood them :

Romanized Lyrics

Title	Maria Lyrics
OST Album	200 Pounds Beauty OST
Singer	Kim Ah Jung
Romanized by	kreah

cha chigum shija-khae
chogum-ssil tto-kob-ke
uhh… turyowo-hajima

pyolchyo-jin nunape
cho tae-ya-ngi ki-reul bichwo
uhh… chol-tae-mom-chujima

Maria ave Maria
cho him-gurum kkeut-kaji nara
Maria ave Maria
gochin-paddo-nawin sang-gwa-nob-shi

cha chigum shija-khae
chogum-ssil ttokob-ke
uhh… chol-tae-momchujima

Maria ave Maria
cho him-gurum kkeut-kaji nara
maria ave maria
gochin-paddonawin sang-gwa-nob-shi

Maria

mamchwo-borin shim-jang jon-chega
koncha-bulsu-ob-shi tti-yo-wa

(Repeat 2x) Maria ave Maria
cho him-gurum kkeut-kaji nara
maria ave maria
gochin-paddonawin sang-gwa-nob-shi

Hangul / Korean Lyrics

Hangul Title:
Credit:

English Translation of Lyrics

Translated by:	frostedsnow
Submitted by:

Alright, let's start now
Little by little, passionately,
Oh~ Don't be afraid
That road the sun is shining on, is laying outstretched before your eyes

Oh~ Never stop
Maria, Ave Maria
Fly to the end of those white clouds
Maria, Ave Maria
It doesn't matter if you go through like the waves

It's laying right before your eyes
Oh~ Never stop
Fly to the end of those white clouds

source : http://kreah-craze.com/maria-lyrics-200-pounds-beauty-ost-korean-movie/